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Music, The Critic »

by Rudy Klapper [7 Oct 2009 | 3 Comments | 333 views]
THE CRITIC: Monsters of Folk Produce Passionate Album

The announcement of Monster of Folk’s debut album this year instinctively drew a knee-jerk reaction of dread from me, despite its pristine indie pedigree. After Tinted Windows defined the term “novelty supergroup” yet again for the year 2009, I was just a little worried that ego and the sense of “fun” that routinely leads artists to ill-advised collaborations would cause the sum of talent here to be considerably less than its individual parts. Luckily for me and fans of the people on display here, Monsters of Folk works more like a well-oiled, cohesive “best-of” collection of each, rather than a clash of styles or a neutered effort of bland, mutually masturbatory jam sessions. Made up of Conor Oberst (Bright Eyes, Mystic Valley Band), M. Ward (She & Him), Jim James (My Morning Jacket), and Mike Mogis (producer extraordinaire), Monsters of Folk’s terrible title belies its eminently accessible nature.